Reviews

Feature Review: Bill Routt reviews Ford At Fox: Part Two (b).

Ina Bertrand reviews Catherine Lumby, Alvin Purple, and Henry Reynolds, The chant of Jimmie Blacksmith.

Yvette Biro reviews Lorraine Mortimer, “Terror and Joy”. The Films of Dusan Makavejev.

Dean Brandum reviews Michael Deeley and Matthew Field, Blade Runner, Deer Hunters & Blowing The Bloody Doors Off: My Life in Cult Movies.

Wheeler Winston Dixon reviews Peter Gidal, Andy Warhol’s Blow Job.

Charles Drazin reviews Brian McFarlane, Screen Adaptations: Charles Dickens’ Great Expectations: The Relationship Between Text and Film.

Seyda Aylin Gurses reviews Nurith Gertz and George Khleifi, Palestinian Cinema: Landscape, Trauma and Memory.

Jan-Christopher Horak reviews Lee Grieveson and Haidee Wasson (eds), Inventing Film Studies.

D.B. Jones reviews Wheeler Winston Dixon, Film Noir and the Cinema of Paranoia.

Lorraine Mortimer reviews Esther Romeyn, Street Scenes: Staging the Self in Immigrant New York 1880-1924.

Geoffrey Nowell-Smith reviews Christopher Wagstaff, Italian Neorealist Cinema: an aesthetic approach.

Daniel Ross reviews Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity and Irving Singer, Cinematic Mythmaking: Philosophy in Film.

Thomas Salek reviews James Walters, Alternative Worlds in Hollywood Cinema: Resonance Between Realms.

Brian Shoesmith reviews Sangita Gopal and Sujata Moorti (eds), Global Bollywood: Travels of Hindi Song and Dance.

Matt Wanat reviews Nitzan Ben-Shaul, Film: The Key Concepts.