STUDIO: PRACTICE & THEORY C

VPA2TMC

2014

Credit points: 30

Subject outline

In this subject students will engage in and examine current issues in visual arts practice and theory. This will form a context for the production of creative works, enabling the student to recognize approaches to contemporary themes in art practice. The critical analysis of contemporary art provides the framework for the students' own developing practice and in-depth of knowledge of visual media. This application is explored through their studio practice leading to a personal expressive use of media in the students' chosen visual arts discipline. The student will demonstrate their approach through the production of artworks and Identify and analyze several artists specific to their practice whose work creates a discourse or response to contemporary ethical and cultural issues in their creative, written and oral assignments.

FacultyFaculty of Humanities & Social Sciences

Credit points30

Subject Co-ordinatorElliot Howard

Available to Study Abroad StudentsYes

Subject year levelYear Level 2 - UG

Exchange StudentsYes

Subject particulars

Subject rules

Prerequisites VPA1TMB

Co-requisitesN/A

Incompatible subjectsN/A

Equivalent subjectsN/A

Special conditionsN/A

Readings

Resource TypeTitleResource RequirementAuthor and YearPublisher
ReadingsCamera Lucida: reflections on photographyPreliminaryBarthes R 1993LONDON: VINTAGE
ReadingsConceptual Art: a critical anthropologyPreliminaryAlberro A & Stimson B 1999CAMBRIDGE, MASS MIT
ReadingsIlluminationsPreliminaryWalter B 1999LONDON PIMLICO
ReadingsInside the white cube: the ideology of the gallery spacePreliminaryO'Doherty B 1999BERKERLEY: UNIVERSITY OF CALIFORNIA PRESS
ReadingsMaking DoPreliminaryDominic EichlerFRIEZE
ReadingsPostproduction: Culture as Screenplay: How Art Reprograms the worldPreliminaryBourriaud N 2002LUKAS & STERNBERG NY
ReadingsProtest and SurvivePreliminaryMetzger & Godfrey 2007FRIEZE
ReadingsRelational AestheticsPreliminaryBourriaud, N 2002DIJON: LES PRESSES DU REL
ReadingsSimulationsPreliminaryBaudrillard J 1983NY: SEMIOTEXT
ReadingsThe Beauty of distance: songs of survival in a precarious age: 17th Biennale of sydneyPreliminaryDavid E 2010BIENNALE OF SYDNEY, THAES & HUDSON
ReadingsThe Originality of the Avant-Garde and other modernist mythsPreliminaryRosalind K E 1985CAMBRIDGE: MASS MIT
ReadingsThe Thames and Hudson dictionary of art termsPreliminaryLucie Smith E. 1984LONDON
ReadingsThe Three ecologiesPreliminaryGuatarri F 2000NEW BRUNSWICK, NJ: ATHLONE PRESS
ReadingsVisual MethodologiesPreliminaryRose, GillianTHOUSAND OAKS: NEW DELHI
ReadingsVitamin P: new perspective in paintingPreliminaryTomma Abts, Franz Ackermann, Nader Ahriman 2002PHAIDON, NY
ReadingsWays of SeeingPreliminaryBerger J 1972NY: THE VIKING PRESS

Subject options

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Start date between: and    Key dates

Bendigo, 2014, Semester 1, Day

Overview

Online enrolmentYes

Maximum enrolment size45

Enrolment information OH&S risk management of max. number in studios groups where specific equipment is in use. Through selection by folio interview process

Subject Instance Co-ordinatorElliot Howard

Class requirements

WorkShop Week: 10 - 22
One 2.0 hours workshop other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Tutorial Week: 10 - 22
One 1.0 hours tutorial other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Lecture Week: 10 - 22
One 1.0 hours lecture other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Assessments

Assessment elementComments%
Contemporary art essay (1600 word equivalent)20
Group discussions, present through digital images (800 word equivalent)10
Practical studio component (1600 word equivalent)20
Presentation of a coherent folio of artwork in your discipline (1600 word equivalent)20
Presentation of a developmental artworks (400 word equivalent)5
Presentation of artworks in a specific visual arts discipline (800 word equivalent)10
Seminar presentation and participation (800 word equivalent)10
Studio research journal (400 word equivalent)5

Mildura, 2014, Semester 1, Day

Overview

Online enrolmentYes

Maximum enrolment size45

Enrolment information OH&S risk management of max. number in studios groups where specific equipment is in use. Through selection by folio interview process

Subject Instance Co-ordinatorKristian Haggblom

Class requirements

Lecture Week: 10 - 22
One 1.0 hours lecture other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Tutorial Week: 15 - 22
One 1.0 hours tutorial other recurrence on weekdays during the day from week 15 to week 22 and delivered via face-to-face.

WorkShop Week: 10 - 22
One 2.0 hours workshop other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Assessments

Assessment elementComments%
Contemporary art essay (1600 word equivalent)20
Group discussions, present through digital images (800 word equivalent)10
Practical studio component (1600 word equivalent)20
Presentation of a coherent folio of artwork in your discipline (1600 word equivalent)20
Presentation of a developmental artworks (400 word equivalent)5
Presentation of artworks in a specific visual arts discipline (800 word equivalent)10
Seminar presentation and participation (800 word equivalent)10
Studio research journal (400 word equivalent)5