STUDIO: PRACTICE AND THEORY E

VPA3TME

2014

Credit points: 30

Subject outline

In this subject students will engage in research into ideas and concepts that form the basis of their focus in art practice. The conclusions drawn will provide the impetus to create a contemporary body of artwork utilizing the various modalities in technologies that are available within the studios and supported by an established critical relationship with context arts practice.

FacultyFaculty of Humanities & Social Sciences

Credit points30

Subject Co-ordinatorStephen Turpie

Available to Study Abroad StudentsYes

Subject year levelYear Level 3 - UG

Exchange StudentsYes

Subject particulars

Subject rules

Prerequisites VPA2TMD

Co-requisitesN/A

Incompatible subjectsN/A

Equivalent subjectsN/A

Special conditionsN/A

Readings

Resource TypeTitleResource RequirementAuthor and YearPublisher
ReadingsCamera Lucida: reflections on photographyPreliminaryBarthes R 1993VINTAGE, LONDON
ReadingsIlluminationsPreliminaryWalter B 1999PIMLICO, LONDON
ReadingsInside the white cube: the ideology of the Gallery SpacePreliminaryO'Doherty B 1999BERKERLEY: UNIVERSITY OF CALIFORNIA PRESS
ReadingsLittle Glass House of Horrors: High Art Lite, the Culture Industry and Damien HirstPreliminaryRay G 2004THIRD TEXT
ReadingsMaking doPreliminaryEichler D 2007FRIEZE
ReadingsPostproduction: Culture as Screenplay: How Art Reprograms the WorldPreliminaryBourriaud N 2002LUKAS & STERNBERG
ReadingsProtest and SurvivePreliminaryMetzger G & Godfrey M 2007FRIEZE
ReadingsSIMULATIONSPreliminaryBaudrillard, J. 1983SEMIOTEXT, NY
ReadingsSticky sublimePreliminaryBeckley B 2001NEW YORK: ALLWORTH PRESS
ReadingsThe Three EcologiesPreliminaryGuatarri F 2000ATHLONE PRESS, NJ
ReadingsThe artificial infinite: on special effects and the sublime. Visual Display: Culture beyond appearancePreliminaryBukatman S 1995SEATTLE: BAY PRESS
ReadingsThe beauty of distance: songs of survival in a precarious age: 17th biennale of sydneyPreliminaryDavid Elliot 2010N/A
ReadingsWays of SeeingPreliminaryBerger J 1972THE VIKING PRESS, NY
Readingsconceptual Art: a Critical anthropologyPreliminaryAlberro & Stimson 1999MASS MIT PRES

Subject options

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Start date between: and    Key dates

Bendigo, 2014, Semester 1, Day

Overview

Online enrolmentYes

Maximum enrolment size45

Enrolment information OH&S risk management of max. number in studios groups where specific equipment is in use Through selection by folio interview process

Subject Instance Co-ordinatorStephen Turpie

Class requirements

WorkShop Week: 10 - 22
One 2.0 hours workshop other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Tutorial Week: 10 - 22
One 1.0 hours tutorial other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Lecture Week: 10 - 22
One 1.0 hours lecture other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Assessments

Assessment elementComments%
Contemporary art essay (1600 word equivalent)20
Group discussions, present through digital images (800 word equivalent)10
Practical studio component (1600 word equivalent)20
Presentation of a coherent folio of artwork in your discipline (1600 word equivalent)20
Presentation of a developmental artworks (400 word equivalent)5
Presentation of artworks in a specific visual arts discipline (800 word equivalent)10
Seminar presentation and participation (800 word equivalent)10
Studio research journal (400 word equivalent)5

Mildura, 2014, Semester 1, Day

Overview

Online enrolmentYes

Maximum enrolment size45

Enrolment information OH&S risk management of max. number in studios groups where specific equipment is in use Through selection by folio interview process

Subject Instance Co-ordinatorKristian Haggblom

Class requirements

Lecture Week: 10 - 22
One 1.0 hours lecture other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Tutorial Week: 10 - 22
One 1.0 hours tutorial other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

WorkShop Week: 10 - 22
One 2.0 hours workshop other recurrence on weekdays during the day from week 10 to week 22 and delivered via face-to-face.

Assessments

Assessment elementComments%
Contemporary art essay (1600 word equivalent)20
Group discussions, present through digital images (800 word equivalent)10
Practical studio component (1600 word equivalent)20
Presentation of a coherent folio of artwork in your discipline (1600 word equivalent)20
Presentation of a developmental artworks (400 word equivalent)5
Presentation of artworks in a specific visual arts discipline (800 word equivalent)10
Seminar presentation and participation (800 word equivalent)10
Studio research journal (400 word equivalent)5