Meet the team
Here at La Trobe University the ‘Graphers’ crew is led by Dr Liz Conor, Chief Investigator and ARC Future Fellow.
The Graphers all have a demonstrated track record of delivery of research and publishing and producing public programs and exhibitions. They are hard at work collating, analysing and interrogating prints. We’re currently researching exploratory voyages, learning more about master print makers and remarkable encounters with First Nation peoples. We currently have 3,000 images and counting.
Dr Liz Conor
Dr Liz Conor is an ARC Future Fellow and Chief Investigator on the Graphic Encounters : Prints of Indigenous Australians project at La Trobe University. She is the author of Skin Deep: Settler Impressions of Aboriginal Women, [UWAP, 2016] and The Spectacular Modern Woman: Feminine Visibility in the 1920s [Indiana University Press, 2004].
Liz is an academic, activist, mother, editor and columnist. She was the 2015 Abbot Placid Spearritt Memorial Fellow at New Norcia. Her PhD was published as The Spectacular Modern Woman: Feminine Visibility in the 1920s, by Indiana University Press in 2004. She has completed an Australian Research Council postdoctoral fellowship in the Department of Culture and Communications at the University of Melbourne from which she wrote Skin Deep: Settler Impressions of Aboriginal Women [UWAP 2016]. She is a former editor of the Aboriginal History Journal, a columnist at New Matilda, founder of the Climate Guardians and Co-Founder (with Deborah Hart) of ClimActs. She is former editor of Metro Magazine and Australian Screen Education and edited A Cultural History of Women in the Modern Age and a special issue of Interventions: Journal of Postcolonial Studies on Types and Typologies and she has published articles on colonial and modern visual and print history in the Journal of Australian Studies, Postcolonial Studies, Studies in Australasian Cinema, Feminist Theory and Gender and History. Her freelance essays and editorials have appeared in The Age, The Saturday Paper, Meanjin, The Conversation, The Drum, Crikey.com, and Arena. Her blog has been archived by the National Library of Australia.
Liz is a community campaigner, founding and convening the Coalition Against Sexual Violence Propaganda (1990) on media portrayal of sexual violence, the Stick with Wik (1997) campaign on Native Title, the Mothers of Intervention (2000) campaign on Maternity Leave, and the guerrilla theatre troupe The John Howard Ladies’ Auxiliary Fanclub (with Zelda Da, 1996). She is working a new troupe, The Coalettes, cigarette girls selling unsellable coal.
Collaborators and Advisors
The Art Gallery of Ballarat
Mr Roger Butler, Curator of Australian Prints, National Gallery of Australia,
Gregory Lehman, University of Tasmania
Professor Jane Lydon, University of Western Australia
Ms Bronwyn Johnson
Bronwyn Johnson is one of Melbourne’s leading arts producers. She has produced major street theatre and performance art programs for the Melbourne International Festival for the Arts, the opening of the Southgate cultural precinct, the Green Mill Dance Project before developing the not for profit Melbourne Art Fair into one of the leading visual art events of the Asia Pacific from 1996 to 2012. This approach to the arts transcends disciplines and brings artists to the broader public in socially, politically and environmentally engaged contexts. Most recently, Bronwyn as Executive Director of CLIMARTE co-produced ART+CLIMATE=CHANGE 2015 and 2017 festivals with CLIMARTE’s founder and CEO Guy Abrahams. CLIMARTE was awarded the 2015 City of Melbourne’s Melbourne Award for contribution to community sustainability. Bronwyn Johnson is a joint editor, with Guy Abrahams, and Kelly Gellatly, Director of The Ian Potter Museum of Art at The University of Melbourne of the recent Melbourne University Press publication ART+CLIMATE=CHANGE (June 2016).
Bronwyn Johnson is a former Peer of the Australia Council, former Board member of Melbourne Fringe and the Australian Tapestry Workshop.
Bronwyn is currently a Board Member of CLIMARTE and the President of Arts Project Australia a supported contemporary art studio and gallery for artists with intellectual disabilities based in Northcote.
Ms Nikita Vanderbyl
Nikita Vanderbyl is a PhD candidate at La Trobe University. Her research focuses on the transnational/trans-imperial circulation of Aboriginal visual and material culture during the nineteenth century. Her thesis takes Wurundjeri artist and leader William Barak (c.1824-1903) as a case study and traces his paintings and drawings in European ethnographic museums. Nikita's background is in both history and art history and her interests include material histories and histories of emotion, in addition to art in all its dimensions. She tweets @nikitavanderbyl.