Screening the past

Reviews of books, CDROMs

Reviews of literature and multimedia titles
Editors: Anna Dzenis and Rick Thompson, assisted by Cathy Hope

Issue 12 - Uploaded 1 March 2001 - [11] [10] [9] [Archive]

Roger Bell reviews Robert Burgoyne, Film nation: Hollywood looks at U.S history. (Uploaded 1 March 2001)

Mervyn F. Bendle reviews R.L.Rutsky, High technê: art and technology from the machine aesthetic to the posthuman (Uploaded 1 March 2001)

Ina Bertrand reviews Michael Putnam, Silent screens: the decline and transformation of the American movie theater (Uploaded 1 March 2001), and Annette Kuhn & Jackie Stacey (eds), Screen histories: a Screen reader (Uploaded 1 March 2001)

David Boyd reviews John Belton (ed.), Alfred Hitchcock's Rear window, Lloyd Michaels (ed.), Ingmar Bergman's Persona and Nick Browne (ed.), Francis Ford Coppola's Godfather trilogy. (Uploaded 1 March 2001)

Colin Crisp reviews Lucy Mazdon, Encore Hollywood: remaking French cinema. (Uploaded 1 March 2001)

Anna Dzenis reviews Kent Jones, L'Argent. (Uploaded 1 March 2001)

From 'social practice' to post-independence: remembering the worlds of independent film by Sylvia Harvey , a review of Margaret Dickinson's, Rogue reels: oppositional film in Britain, 1945-90. (Uploaded 1 March 2001)

Gabrielle Murray reviews Lester D. Friedman. (ed),. Arthur Penn's Bonnie and Clyde. (Uploaded 1 March 2001)

Michael Powell reviews Pauline B. Rogers, The art of visual effects: interviews on the tools of the trade. (Uploaded 1 March 2001)

The spoor of the Woozle by William D. Routt, a review of Richard Abel's, The red rooster scare: making cinema American, 1900-1910. (Uploaded 1 March 2001)

Meredith Seaman reviews Diane Waldman and Janet Walker (eds.), Feminism and documentary. (Uploaded 1 March 2001)

Ben Taylor reviews David Sutton, A chorus of raspberries: British film comedy 1929-1939. (Uploaded 1 March 2001)