Reviews of literature and multimedia titles
Editor: Anna Dzenis, assisted by Cathy Hope

Issue 9  - Uploaded 1 March 2000 - [8]  [7]  [Archive]

"A parallel universe? Hollywood in the 'Pre-Code era'" a review of Thomas Doherty, Pre-Code Hollywood: sex, immorality, and insurrection in American cinema 1930-1934. by Geoff Mayer(Uploaded 1 March 2000) 

Review article, "For criticism" part one and part two, a review of Nicole Brenez, De la figure en général et du corps en particulier: l'invention figurative au cinéma by William D. Routt (Uploaded 1 March 2000)

Review article, "Always a window: Tag Gallagher's Rossellini", a review of Tag Gallagher'sThe adventures of Roberto Rossellini by Adrian Martin (Uploaded 1 March 2000)

• Mervyn F. Bendle reviews James B. Twitchell, Lead us into temptation: the triumph of American materialism.(Uploaded 1 March 2000)
  
  
• Chris Berry reviews Michael J. Shapiro, Cinematic political thought: narrating race, nation and gender. (Uploaded 1 March 2000)
  
  
• Chris Berry reviews Stuart Cunningham and John Sinclair (eds), Floating lives: the media and Asian diasporas. (Uploaded 1 March 2000)
  
  
• Ina Bertrand reviews Philip Turner, Moskva Kino: the cinemas of southwest and central Moscow ,Warner cinemas: an outline history , MGM cinemas: an outline history , Showcase cinemas: an outline history (Uploaded 1 March 2000)
  
  
• John Conomos reviews Philip Brophy (ed.), Cinesonic: the world of sound in film (Uploaded 1 March 2000)
  
  
• Millissa Deitz reviews Judith Halberstam, Female masculinity (Uploaded 1 March 2000)
  
  
• Sam Hinton reviews Sarah Kember, Virtual anxiety: photography, new technologies and subjectivity (Uploaded 1 March 2000)
  
  
• Adam Knee reviews Andrew Higson & Richard Maltby, "Film Europe" and " Film America": cinema, commerce and cultural exchange, 1920-1939 (Uploaded 1 March 2000)
  
  
• Jane Landman reviews Julie James Bailey, Reel women: working in film and television. (Uploaded 1 March 2000)
  
  
• Harriet Margolis reviews Sue Thornham (ed), Feminist film theory: a reader. and Sue Thornham, Passionate detachments: an introduction to feminist film theory. (Uploaded 1 March 2000)
  
  
• Kevin Murray reviews Peter Lunenfeld (ed.), The digital dialectic: new essays on new media. (Uploaded 1 March 2000)
  
  
• Guillaume Ollendorff reviews Chris Marker, Immemory. Translated from French by Guillaume Ollendorff and Adrian Martin (Uploaded 1 March 2000)
  
  
• Kristine Philipp reviews Joshua Gamson, Freaks talk back. Tabloid talk shows and sexual nonconformity. (Uploaded 1 March 2000)
  
  
• Simon Popple reviews John Barnes, The beginnings of the cinema in England, 1894-1901 volume 5: 1900 (Uploaded 1 March 2000)
  
  
• Sam Rohdie reviews John Roberts, The art of interruption: realism, photography and the everyday (Uploaded 1 March 2000)
  
  
• Darren Tofts reviews William J. Mitchell, e-topia: "Urban life, Jim -- but not as we know it" (Uploaded 1 March 2000)
  
  
• Sue Turnbull reviews Ellen Seiter, Television and new media audiences. (Uploaded 1 March 2000)
  
  
• Ruth Vasey reviews Chris Watson and Roy Shuker, In the public good? Censorship in New Zealand (Uploaded 1 March 2000)
  
  
• Terrie Waddell reviews Catharine Lumby, Gotcha: life in a tabloid world. (Uploaded 1 March 2000)
  
  
• Peter B. White reviews William H. Dutton, Society on the line: information politics in the digital age (Uploaded 1 March 2000)

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© Screening the past 2000  Issue#9  Uploaded 1 March 2000