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Issue 18
Uploaded Friday, 29 July 2005
Reviews of literature and multimedia titles
Editor: Anna Dzenis
Richard Armstrong reviews César.
Mervyn F. Bendle reviews American science fiction TV: Star Trek, Stargate and beyond.
Ina Bertrand reviews An encyclopaedic dictionary of women in early American films: 1895-1930.
Ina Bertrand reviews Green screen: environmentalism and Hollywood cinema.
Ina Bertrand reviews Novels into film.
Thomas Caldwell reviews Media matrix: sexing the new reality.
Thomas Caldwell reviews The inquisition in Hollywood: politics in the film community.
Colin Crisp reviews Journalism in the movies.
Sean Cubitt reviews Future cinema: the cinematic imaginary after film.
Leanne Downing reviews Ghouls, gimmicks and gold: horror films and the American movie business, 1953-1968.
Leanne Downing reviews Screen traffic, movies, multiplexes and global culture.
Laurie Ede reviews Selling television. British television in the global marketplace.
Mas Generis reviews Movie mutations.
Melissa Goldsmith reviews Contemporary costume film: space, place and the past.
Helen Grace reviews Australian cinema after Mabo.
Jan-Christopher Horak reviews American cinema's transitional era. Audiences, institutions, practices.
D.B. Jones reviews Horizons West: directing the Western from John Ford to Clint Eastwood.
D.B. Jones reviews The whole equation: a history of Hollywood.
Adrian Martin reviews Style and meaning: studies in the detailed analysis of film.
Brian McFarlane reviews The lost world of Mitchell & Kenyon: Edwardian Britain on film.
Tim O'Farrell reviews New challenges for documentary (2nd edition).
Jaime Ong reviews More dirty looks: gender, pornography and power.
Patrice Petro reviews Dietrich's ghosts: the sublime and the beautiful in Third Reich film.
Leland Poague reviews This wounded cinema, this wounded life: violence and utopia in the films of Sam Peckinpah.
Dana Polan reviews Contemporary world television.
Thomas Redwood reviews Nosferatu: Phantom der Nacht.
Daniel Ross reviews Three philosophical filmakers: Hitchcock, Welles, Renoir.
David Sanjek reviews Withnail & I.
Gerald Sim reviews Revolution televised: prime time and the struggle for black power.
Darren Tofts reviews The matrix.
Sue Turnbull reviews Teen TV: genre, consumption and identity.
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