reviews of literature and multimedia titles

Editor: Anna Dzenis

[15 ] [14 ][13 ] [12 ] [11 ] [Archive ]

Richard Armstrong reviews Peter William Evans & Celestino Deleyto, eds., Terms of endearment: Hollywood romantic comedy of the 1980s and 1990s.

Mervyn F. Bendle reviews Terrie Waddell (ed.)Cultural expressions of evil and wickedness: wrath, sex, crime.

Chris Berry reviews Eric Cadzyn The flash of capital: film and geopolitics in Japan

Chris Berry reviews Leon Hunt Kung Fu cult masters: From Bruce Lee to Crouching tiger.

Ina Bertrand reviews Alan McKee Australian television: a genealogy of great moments.

James Brown reviews Sam B. Girgus America on film: modernism, documentary and a changing America.

Colin Crisp reviews Joseph Cunneen Robert Bresson: a spiritual style in film.

Sean Cubitt reviews Darren Tofts, Annemarie Jonson and Alessio Cavallaro (eds). Prefiguring cyberspace: an intellectual history.

Adrian Danks reviews Eric Smoodin & Ann Martin (eds.) Hollywood quarterly: film culture in postwar America 1945-1957.

Jeanette Delamoir reviews Kay Armatage The girl from God's country: Nell Shipman and the silent cinema.

Leanne Downing reviews Karen Beckman Vanishing women: magic, film and feminism.

Laurie Ede reviews Brian McFarlane (ed) The encylopedia of British film.

David Ehrenstein reviews Jonathan Rosenbaum & Adrian Martin (eds.) Movie mutations: the changing face of world cinephilia

Mary Farquar reviews Ni Zhen (translated by Chris Berry) Memoirs from the Beijing film academy: the genesis of China's fifth generation.

Mas Generis reviews Birgit Beumers Russia on reels: the Russian idea in post-Soviet cinema

Helen Grace reviews Graeme Turner (ed) The film cultures reader.

Melissa Goldsmith reviews David C. Gillespie Russian cinema

Melissa Goldsmith reviews Alexandra Juhasz (ed.) Women of vision: histories in feminist film and video.

Fincina Hopgood reviews Lisa French (ed.) Womenvision: women and the moving image in Australia

Fincina Hopgood reviews Kenneth Turan Sundance to Sarajevo: films festivals and the world they made

Jan-Christopher Horak reviews Lutz Koepnick The Dark mirror: German cinema between Hitler and Hollywood

Peter Hughes reviews Jane Roscoe and Craig Hight Faking it: Mock-documentary and the subversion of factuality.

D.B. Jones reviews Louis NowraWalkabout.

Fran Martin reviews Kelly Hankin The girls in the back room: looking at the lesbian bar.

Geoff Mayer reviews Peter Stanfield Hollywood, westerns and the 1930s: the lost trail.

Geoff Mayer reviews Ben Singer Melodrama and modernity. Early sensational cinema and its contexts

Brian McFarlane reviews Grahame Smith Dickens and the dream of cinema

Ken Mogg reviews Mark Glancy "The 39 steps": A British film guide.

David Neo reviews William Van Der Heide Malaysian cinema, Asian film: border crossings and national cultures

Tim O'Farrell reviews Christopher Beach Class, language and American film comedy.

Jaime Ong reviews Adam Macauley Don't tell me, show me: directors talk about acting.

Dana Polan reviews Michel Marie The French New Wave: an artistic school.

Michael Paris reviews Bernadette Kester Film front Weimar: representations of the First World War in German films of the Weimar period (1919 - 1933).

Thomas Redwood reviews John E. Bodnar Blue collar Hollywood: liberalism, democracy and working people in American film.

Brian Shoesmith reviews two books on Indian film

Violetta Petrova reviews Dina Iordanova Cinema of the other Europe: the industry and artistry of East Central European film.

Dave Watson reviews Sam Rohdie Fellini Lexicon.

June Werrett reviews Peter Lehman and William Luhr Thinking about movies: watching, questioning, enjoying.

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Created on: Friday, 7 May 2004 | Last Updated: Friday, 28 May 2004