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Issue 15
Uploaded Wednesday, 2 July 2003
Reviews of literature and multimedia titles
Editor: Anna Dzenis
Adrian Danks reviews Scott MacDonald, The garden in the machine: a field guide to independent films about place.
Anna Dzenis reviews Adrian Martin, The Mad Max movies.
Adrian Martin reviews two books on Positif at 50 years.
Chris Berry reviews Daniel Bernardi, Classic Hollywood, classic whiteness.
Darren Tofts reviews Rieser and Zapp, New screen media: cinema/art/narrative.
Deb Verhoeven reviews Barrett Hodsdon, Straight roads and crossed lines: the quest for film culture in Australia?.
Erin Branigan reviews Rainer Rother, Leni Riefenstahl: the seduction of genius.
Erin Branigan reviews Bill Nichols (ed.), Maya Deren and the American Avant-garde.
Fincina Hopgood reviews Caputo and Burton, Third take: Australian film-makers talk.
Geoff Mayer reviews Jeffrey Richards, A night to remember: the definitive Titanic film.
Gino Moliterno reviews Angelo Restivo, The cinema of economic miracles: visuality and modernization in the Italian art film.
Ina Bertrand reviews Mimi Colligan, Canvas documentaries: panoramic entertainments in nineteenth-century Australia and New Zealand.
Ina Bertrand reviews Roger Horrocks, Len Lye: a biography.
Jodi Brooks reviews Arthur Knight, Disintegrating the musical: black performance and American musical film.
James Goodwin reviews Richard Taylor, October.
John Hannon reviews Tara Brabazon, Digital hemlock: digital education and the poisoning of teaching.
John Sinclair reviews Vijay Mishra, Bollywood cinema: temples of desire.
June Werrett reviews Robert T. Self, Robert Altman's subliminal reality.
Kristin Thompson reviews Yuri Tsivian, Ivan the Terrible.
Lata Satyen reviews Cunningham and Turner, The media and communications in Australia.
Mas Generis reviews Carney and Quart, The films of Mike Leigh.
Mike Walsh reviews Fu and Desser, The cinema of Hong Kong: history, arts, identity.
Richard Armstrong reviews Jonathon Rosenbaum, Movie wars: how Hollywood and the media limit what films we can see.
Thomas Elsaesser reviews Leonie Naughton, That was the wild east: film culture, unification and the "New" Germany.
Tim Groves reviews Charles Barr, Vertigo.
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