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Issue 13
Uploaded Saturday, 1 December 2001
Peer reviewed articles, published here for the first time
Editors: Peter Hughes and Adrian Martin
Women, autobiography and new media, edited by Peter Hughes
Memory in ruins: the woman filmmaker in her father's cinema by Felicity Collins. Abstract
Forgetting as a representational strategy: Erasing the past in Girl from Moush and Passing DRAMA by Robin Curtis. Abstract
Performing memory: compensation and redress in contemporary feminist first-person documentary by Julia Erhart. Abstract
Memory fragments as scene makers by Bernadette Flynn. Abstract
What should I make up? An inquiry into autobiography. Interviews with Sarah Jane Lapp, Michele Fleming, and Amie Siegel and Filmographies and biographical notes by Jenny Perlin. Abstract
Video diaries: questions of authenticity and fabrication by Maria Pini. Abstract
Dear diary revisited: transforming personal archives, Flag and Trick or drink by Elayne Zalis. Abstract
Nocturnal kinship by George Kouvaros. Abstract
Auteurism 2001, part II, edited by Adrian Martin. See issue 12 for part I.
Sign your name across my heart, or:"I want to write about Delbert Mann" (editorial) by Adrian Martin. (Uploaded 1 March 2001)
A couch in New York: Chantal Akerman and sex in the city by Rose Capp. Abstract
Going my way by Tag Gallagher. Abstract
Mizoguchi and freedom by Tag Gallagher. Abstract
Choreography of desire: analysing Kinuyo Tanaka's acting in Mizoguchi's films by Chika Kinoshita. Abstract
A strange sun: cinema and theatre in John Cassavetes' The killing of a Chinese bookie and Opening night by George Kouvaros. Abstract
Joe Dante's American apocalypse by Bill Krohn. Abstract
Paul Verhoeven and his hollow men by Angela Ndalianis. Abstract
Lost in paradise: the cinema of Jim Jarmusch by Fiona A. Villella. Abstract
A pen with wings: a tribute Erik Barnouw, 1908-2001 by Patricia R. Zimmermann. Abstract
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