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Reviews

Feature Review: Bill Routt reviews Ford At Fox: Part Two (a).

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Deborah Allison reviews Paul Meehan, Tech-Noir: The Fusion of Science Fiction and Film Noir.

Ryan Cook reviews Lisa Downing and Sue Harris (eds.), From Perversion to Purity: The Stardom of Catherine Deneuve.

Jonah Corne reviews Charles R. Acland (ed), Residual Media.

Colin Crisp reviews Geneviève Sellier, Masculine Singular: French New Wave Cinema (trans Kristin Ross).

Sean Cubitt reviews Michel Pastoureau, Black: The History of a Colour.

James Curnow reviews James Herrick, Scientific Mythologies: How Science and Science Fiction Forge New Religious Beliefs.

Anna Dzenis reviews Adrian Martin, “What is Modern Cinema?”.

Maura Edmond reviews Alison Griffiths, Shivers Down Your Spine: Cinema, Museums, and the Immersive View.

Tony Fonseca reviews Louis Kaplan, The Strange Case of William Mumler, Spirit Photographer.

Mas Generis reviews Joram ten Brink (ed), Building Bridges: The Cinema of Jean Rouch (Preface by Michael Renov).

Ina Rae Hark reviews Richard Allen, Hitchcock’s Romantic Irony.

Alexandra Heller-Nicholas reviews Joanna Bourke, Rape: A History from 1860 to the Present.

Jan-Christopher Horak reviews Jennifer Fay, Theatres of Occupation. Hollywood and the Reeducation of Postwar Germany.

Zachary Hoskins reviews Stephen J. Nichols, Jesus: Made in America.

Irene Javors reviews Linda Williams, Screening Sex.

D.B. Jones reviews Gerd Gemünden, A Foreign Affair: Billy Wilder’s American Films.

Roger Macy reviews Abé Mark Nornes, Forest of Pressure – Ogawa Shinsuke and Postwar Japanese Documentary.

Christian McCrea reviews Anna Powell, Deleuze and Horror Film.

Jaime S. Ong reviews Joseph Epstein, Fred Astaire.

Violetta Petrova reviews Marvin D’Lugo, Pedro Almodóvar.

Mike Walsh reviews Alistair Phillips and Julian Stringer (eds.), Japanese Cinema: Texts and Contexts.