[19] [18] [17] [16] [15] [Archive]

Deborah Allison reviews Jean Cocteau.

Richard Armstrong reviews Icons of grief: Val Lewton's Home Front pictures.

Neil Bather reviews The Blade Runner experience: The legacy of a science fiction classic.

Greg Battye reviews Neo-Baroque aesthetics and contemporary entertainment.

Merv Bendle reviews The parallax view.

Ina Bertrand reviews The Barry McKenzie movies.

Ina Bertrand reviews Policing Cinema: Movies and censorship in early twentieth-century America.

Ina Bertrand reviews Sheep and the Australian cinema.

Jodi Brooks reviews The last "Darky": Bert Williams, black-on-black minstrelsy, and the African diaspora.

Tom Conley reviews Film fables.

Colin Crisp reviews Alain Resnais and Maurice Pialat.

Colin Crisp reviews The cinema of France.

Jeannette Delamoir reviews J. P. McGowan: Biography of a Hollywood pioneer.

Anna Dzenis reviews Film performance: From achievement to appreciation.

Laurie N Ede reviews Gore Vidal's America.

Laurie N Ede reviews Hollywood behind the Wall. The cinema of East Germany.

David Ehrenstein reviews How to be an intellectual in the age of tv: The lessons of Gore Vidal.

Mark Finn reviews Lara Croft: Cyber heroine.

Freda Freiberg reviews Imitation of life.

Mas Generis reviews Cinephilia: movies, love and memory.

Melissa Ursula Dawn Goldsmith reviews Ether: The nothing that connects everything.

Heather Heckman reviews The first lady of Hollywood: A biography of Louella Parsons.

Jan-Christopher Horak reviews Blackout: World War II and the origins of film noir.

Jan-Christopher Horak reviews Shadows, specters, shards: Making history in avant-garde film.

Andrew Horton reviews Film remakes.

D.B. Jones reviews Hitchcock and twentieth century cinema.

Harriet Margolis reviews Re-takes: Postcoloniality and foreign film languages.

Ben McCann reviews The office.

Anne McLaren reviews China on screen: Cinema and nation.

Susan Napier reviews 100 Anime.

Leonie Naughton reviews Herr Lubitsch goes to Hollywood. German and American film after World War 1.

David Neo reviews Contemporary Asian cinema: Popular culture in a global frame.

Tim O'Farrell reviews The Direct Cinema of David and Albert Maysles.

Jaime S. Ong reviews Incongruous entertainment: Camp, cultural value and the MGM musical.

Michael Paris reviews Citizen spy: Television, espionage, and cold war culture.

Violetta Petrova reviews Unsettling scores: German film, music, and ideology.

Kerstin Pilz reviews Big screen Rome.

Dana Polan reviews Silent film sound.

Murray Pomerance reviews Hitchcock's cryptonymies.

Paul Ramaeker reviews Directed by Steven Spielberg: Poetics of the contemporary Hollywood blockbuster.

Thomas Redwood reviews Mute dreams, blind owls and dispersed knowledges: Persian poesis in the transnational circuitry.

Daniel Ross reviews 10.

Gerald Sim reviews Historical dictionary of Australian and New Zealand cinema.

Rick Thompson reviews Backstory 4: Interviews with screenwriters of the 1970s and 1980s.

Sue Turnbull reviews Buffy the vampire slayer, Why Buffy matters: The art of Buffy the vampire slayer and Reading Angel: The tv spin-off with a soul.

Mike Walsh reviews The big show: British cinema culture in the Great War 1914-1918.

Saige Walton reviews Virtual voyages: Cinema and travel.

June Werrett reviews Surrealism and cinema.