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Issue 18: Popular music & film
Uploaded Friday, 29 July 2005
Peer reviewed articles, published here for the first time
Managing Editor: Peter Hughes
Special guest editors: Amanda Howell and Cory Messenger
Amanda Howell and Cory Messenger, Introduction: popular music and film.
David Baker, "I'm glad I'm not me!" Marking transitivity in Don't look back. | Abstract.
Rebecca Coyle and Michael Hannan, Marking time in the Barry McKenzie films' music. | Abstract.
Steve Fore, From Rock kids to Beijing bastards: PRC youth subcultures on film before and after June 4. | Abstract.
Amanda Howell, Spectacle, masculinity, and music in blaxploitation cinema. | Abstract.
Anahid Kassabian, Songstruck: rethinking identifications in romantic comedies. | Abstract.
Cory Messenger, Act naturally: Elvis Presley, the Beatles and 'rocksploitation'. | Abstract.
Tony Mitchell, Minimalist menace: The Necks score The boys. | Abstract.
Diana Sandars, From the warehouse to the multiplex: techno and rave culture's reconfiguration of the late 1990s sci-fi spectacle as musical performance. | Abstract
Jeff Smith, The edge of seventeen: class, age, and popular music in Richard Linklater's School of rock. | Abstract.
Ken Woodgate, 'Young and in love': music and memory in Leander Haussmann's Sun Alley. | Abstract.
Belinda Barnet, The Magical Place of Literary Memory™: Xanadu.
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