Seven
theses about border genres / five modest proposals about
docudrama Five
modest proposals about docudrama Docudrama
consistently offers mass audiences politics and ethics in
the form of entertainments, their narratives individualised
by Everyperson characters. These modern Morality Plays
provide us with a viable platform for political and ethical
discussion - if we still want one (this 'we' is particularly
'us' - drama, media and film studies students and
academics). Recent fact/fiction shifts comprise 'emotional
laboratories' [Jon Dovey], in which the 'complex act
of identification, projection, and internalization'
[Janelle Reinelt] can now be found in unusual places
(Big Brother? Survivor?). Television drama,
'is cut to the measure of character, but always of character
as revealed in performance' (John Caughie) and this is
equally so for the inter-generic hybridizations. Since the
advent of feminism, we should not be surprised that the
personal is the political - it is also the
ehtical.
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