Peer reviewed articles, published here for the first time
Editors: Peter Hughes and Ina Bertrand
Robert Aldrich: an independent career by Rick Thompson. Abstract
"The problem of interpretation ...": authorial and institutional intentions in and around Kiss me deadly by Richard Maltby. Abstract
The body has no head: corporeal figuration in Aldrich by Adrian Martin. Abstract
Straight talk and doublespeak: Kiss me deadly and the legacy of "late noir" by Rose Capp. Abstract
Pieces, an interactive web essay by William D Routt. Abstract
Aldrich, Leone and Vera Cruz: style and substance over the border by Rolando Caputo. Abstract
The hunter gets captured by the game: Robert Aldrich's Hollywood by Adrian Danks. Abstract
Aldrich in cyberspace: websites by Val Forbes.
Scene 176: recasting the lesbian in Robert Aldrich's The killing of Sister George by Sally Hussey. Abstract
Adorno on Aldrich by Bill Krohn. Abstract
Sodom and Gomorrah: The auteur and the potboiler by Bill Krohn. Abstract
Fear is a man's best friend: deformation and aggression in the films of Robert Aldrich by David Sanjek. Abstract
Variant versions of Robert Aldrich's films: a case study by Brad Stevens. Abstract
Geometry of Force: Abel Ferrara and Simone Weil by Tag Gallagher. Abstract

| Home | First release | Classics & re-runs | Reviews | Trailers | Cast & credits | Search