Peer reviewed articles, published here for the first time
Therese Davis, Indigenising Australian History: Contestation and Collaboration in First Australians.
Stephanie Hanson, “Electrical wonders of the present age”: cinema-going on the Far South Coast of NSW and rural discourses of modernity.
Ann Hardy, From mokomokai to upoko tuhi: changing representations of Maori cultural property in film.
Mike Ingham, History in the Making: Allegory, history, fiction and Chow Yun-fat in the 1980s Hong Kong films Hong Kong 1941 (Dir. Po Chieh-leong) and Love in a Fallen City (Dir. Ann Hui).
John Finlay Kerr, ‘Rereading’ Be Kind Rewind (USA 2008): How film history can be remapped through the social memories of popular culture.
George Kouvaros, “Those Who Wait”: The Misfits and Late Style.
Jane Mills, First Nation Cinema: Hollywood’s Indigenous ‘Other’.
Tyson Namow, In-and-Out of the Historical Imaginary with Eisner and Herzog.
Dylan Walker, The Only Fun We Have Once in Three Weeks: Rural Exhibition on the Eyre Peninsula in the 1930s.
Amy West, Making Television History: The Past made Present in Reality Television’s Pioneer House.

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