[23] [22] [21] [20] [19] [Archive]

First release

Papers from the 2008 Film and History Association of Australia and New Zealand Conference

Therese Davis, Indigenising Australian History: Contestation and Collaboration in First Australians.

Stephanie Hanson, “Electrical wonders of the present age”: cinema-going on the Far South Coast of NSW and rural discourses of modernity.

Ann Hardy, From mokomokai to upoko tuhi: changing representations of Maori cultural property in film.

Mike Ingham, History in the Making: Allegory, history, fiction and Chow Yun-fat in the 1980s Hong Kong films Hong Kong 1941 (Dir. Po Chieh-leong) and Love in a Fallen City (Dir. Ann Hui).

John Finlay Kerr, ‘Rereading’ Be Kind Rewind (USA 2008): How film history can be remapped through the social memories of popular culture.

George Kouvaros, “Those Who Wait”: The Misfits and Late Style.

Jane Mills, First Nation Cinema: Hollywood’s Indigenous ‘Other’.

Tyson Namow, In-and-Out of the Historical Imaginary with Eisner and Herzog.

Dylan Walker, The Only Fun We Have Once in Three Weeks: Rural Exhibition on the Eyre Peninsula in the 1930s.

Amy West, Making Television History: The Past made Present in Reality Television’s Pioneer House.

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Sam Rohdie, Three Essays.

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Classics and Reruns

Adrian Martin, “It Has Come to My Ears”: Fritz Lang’s Sound Design.

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Information from longtime Morley resident Mat Edwards.

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Reviews

Feature Review: Bill Routt reviews Ford At Fox: Part Two (a).

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Deborah Allison reviews Paul Meehan, Tech-Noir: The Fusion of Science Fiction and Film Noir.

Ryan Cook reviews Lisa Downing and Sue Harris (eds.), From Perversion to Purity: The Stardom of Catherine Deneuve.

Jonah Corne reviews Charles R. Acland (ed), Residual Media.

Colin Crisp reviews Geneviève Sellier, Masculine Singular: French New Wave Cinema (trans Kristin Ross).

Sean Cubitt reviews Michel Pastoureau, Black: The History of a Colour.

James Curnow reviews James Herrick, Scientific Mythologies: How Science and Science Fiction Forge New Religious Beliefs.

Anna Dzenis reviews Adrian Martin, “What is Modern Cinema?”.

Maura Edmond reviews Alison Griffiths, Shivers Down Your Spine: Cinema, Museums, and the Immersive View.

Tony Fonseca reviews Louis Kaplan, The Strange Case of William Mumler, Spirit Photographer.

Mas Generis reviews Joram ten Brink (ed), Building Bridges: The Cinema of Jean Rouch (Preface by Michael Renov).

Ina Rae Hark reviews Richard Allen, Hitchcock’s Romantic Irony.

Alexandra Heller-Nicholas reviews Joanna Bourke, Rape: A History from 1860 to the Present.

Jan-Christopher Horak reviews Jennifer Fay, Theatres of Occupation. Hollywood and the Reeducation of Postwar Germany.

Zachary Hoskins reviews Stephen J. Nichols, Jesus: Made in America.

Irene Javors reviews Linda Williams, Screening Sex.

D.B. Jones reviews Gerd Gemünden, A Foreign Affair: Billy Wilder’s American Films.

Roger Macy reviews Abé Mark Nornes, Forest of Pressure – Ogawa Shinsuke and Postwar Japanese Documentary.

Christian McCrea reviews Anna Powell, Deleuze and Horror Film.

Jaime S. Ong reviews Joseph Epstein, Fred Astaire.

Violetta Petrova reviews Marvin D’Lugo, Pedro Almodóvar.

Mike Walsh reviews Alistair Phillips and Julian Stringer (eds.), Japanese Cinema: Texts and Contexts.