[21] [20] [19] [18] [17] [Archive]

Editorial

---

Tenth Anniversary

Memoirs from founders

• Ina Bertrand, Screening the past: a memoir.
• William D. Routt, Tenth Memoire: Screening The Past Askew.
• Peter Hughes, Nevermind the bandwidth - feel the quality.
• Chris Berry, Ten Years of Screening the Past.

Contributions from our Editorial Board members

• Richard Maltby, How Can Cinema History Matter More?
• Keyan G Tomaselli, A View from Africa.
• Harriet Margolis, Anniversary Musings.
• Sam Rohdie, Ribbons of Time.

Field survey: the poll results

List of contributors, Issues 1-21

---

In Memoriam

Thierry Kuntzel

• John Conomos, In Memoriam, Thierry Kuntzel.

Leonie Naughton

• Photo tribute.

Leonie Naughton was a member of the editorial board of Screening the Past from the beginning, and she provided valuable input and support during the formative years of this journal. An excellent and energetic researcher, she shared her scholarship and broad knowledge of theory with her students and colleagues. She was a very effective and popular teacher, and an active and highly regarded member of the screen studies community. Those of us who had the privilege of working with her learned a great deal from her and her passion for the cinema. She will be missed.

Leonie's colleagues commemorate her in the following tributes.

• William D. Routt, Leonie Naughton: ‘touched by what she has left behind’.
• Rose Capp, Leonie Naughton – Academic Iconoclast.
• David Hanan, Funeral address.
• Wendy Haslem, Leonie.
• Lesley Speed, Leonie Naughton: The Pleasure of Reinvention.
• Leonie Naughton’s Publications and Other Research, compiled by Lesley Speed with William D. Routt and David Hanan.

Leonie’s former colleagues at Monash Film and Television Studies will be posting a memorial on the arts.monash website.

---

First release

Jodi Brooks, The Lure of the breach: invisibility and the dissolution of cinematic vision.

Jeannette Delamoir, Six encounters with aviators: Early cinema, flight, danger and gender.

Sira Hernández Corchete, The Relevance and Evolution of the Historical Documentary Series in Televisión Española, from Testimonio (1964) to Memoria de España (2004).

Daniel Reynaud, The Changing Anzac Legend in three key Australian films.

Holger Römers, The Said within the Unsaid: The Subtle Ironies of Young Mr. Lincoln’s Intertextual References to Contemporary Historiography.

Julian Ward, Serving the People in the twenty-first century: Zhang Side and the revival of the Yan’an Spirit.

Brian Yecies and Ae-Gyung Shim, Hallyuwood Down Under: The New Korean Cinema and Australia, 1996-2007.

---

Classics and Reruns

Ronald Abramson and Richard Thompson, Young Mr. Lincoln Reconsidered: An Essay on the Theory and Practice of Film Criticism.

---

Reviews

Special Tenth Anniversary Book Review: Jan-Christopher Horak reviews The Story of the Kelly Gang DVD, and Ina Bertrand and William D. Routt, “The Picture That Will Live Forever”: The Story of the Kelly Gang.

---

Neil Bather reviews Steve Macek, Urban Nightmares: The Media, the Right, and the Moral Panic over the City.

John Benson reviews Graeme Turner, Ending the Affair: the decline of television current affairs in Australia.

Ina Bertrand reviews Daniel J. Leab, Orwell Subverted: The CIA and the Filming of Animal Farm.

Susan Bye reviews Elana Levine, Wallowing in Sex: The New Sexual Culture of 1970s American Television.

John Conomos reviews Rachel Moore, Hollis Frampton (nostalgia).

John Conomos reviews McKenzie Wark, Gamer Theory.

Anna Dzenis reviews Nicole Brenez, Abel Ferrara.

David Ehrenstein reviews James Morrison (ed.), The Cinema of Todd Haynes: All That Heaven Allows.

Tony Fonseca reviews Robert Spadoni, Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre.

Freda Freiberg reviews Christine L. Marran, Poison Woman: Figuring Female Transgression in Modern Japanese Culture.

Jan-Christopher Horak reviews Dana Polan, Scenes of Instruction. The Beginnings of the U.S. Study of Film.

Irene Javors reviews Steven Bach, Leni, The Life and Work of Leni Riefenstahl, and Gerd Gemunden and Mary R. Desjardins (eds.), Dietrich Icon.

D.B. Jones reviews Melanie J. Wright, Religion and Film: an Introduction.

Hester Joyce reviews Gail Jones, The Piano.

Mike Lim reviews Robert Hariman and John Louis Lucaites, No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy.

Martin Manning reviews Marie-Laure Ryan, Avatars of Story.

Harriet Margolis reviews Ehrhard Bahr, Weimar on the Pacific: German Exile Culture in Los Angeles and the Crisis of Modernism.

Ben McCann reviews James Chapman, Mark Glancy & Sue Harper (eds.), The New Film History: Sources, Methods, Approaches.

Brian McFarlane reviews Gene D. Phillips, Beyond the Epic: The Life & Films of David Lean.

Brian McFarlane reviews Laraine Porter and Bryony Dixon (eds.), Picture Perfect: Landscape, Place and Travel in British Cinema before 1930.

Angela Ndalianis reviews Alan Cholodenko (ed.), The Illusion of Life 2: More Essays on Animation.

Jaime S. Ong reviews Scott Nygren, Time Frames: Japanese Cinema and the Unfolding of History.

Michael Paris reviews Jo Fox, Film Propaganda in Britain and Nazi Germany: World War II Cinema.

Arthur Pomeroy reviews Gideon Nisbet, Ancient Greece in Film and Popular Culture.

Thomas Redwood reviews Jonathan Rosenbaum, Discovering Orson Welles.

Rick Thompson reviews Michael Barrier, The Animated Man: A Life of Walt Disney, and Tom Sito, Drawing the Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson.

Errol Vieth reviews Peter Decherney, Hollywood and the Culture Elite: How the Movies Became American.

Terrie Waddell reviews Petra Kupper, The Scar of Visibility: Medical Performances and Contemporary Art.

Saige Walton reviews Anne Friedberg, The Virtual Window: From Alberti to Microsoft.

Nicholas Witham reviews J. E. Smyth, Reconstructing American Historical Cinema: From Cimarron to Citizen Kane.

---