Screening the past - Current contents

C U R R E N T C O N T E N T S
Peer reviewed articles, published here for the first time

Issue 11 - Uploaded 1 November 2000 - [10] [9] [8] [Archive]

First release

Editorial by Ina Bertrand and Zakir Raju (Uploaded 1 November 2000)

Dancing shadows of film exhibition: Taiwan and the Japanese influence, by Jeanne Deslandes. Abstract (Uploaded 1 November 2000)

Xi and yingxi: the interaction between traditional theatre and Chinese cinema by Wenwei Du. Abstract (Uploaded 1 November 2000)

Comprehensive connections: the film industry, the theatre and the state in the early Japanese cinema by Freda Freiberg . Abstract (Uploaded 1 November 2000)

One print in the age of mechanical reproduction: film industry and culture in 1910s Japan by Aaron Gerow. Abstract (Uploaded 1 November 20)

Yingxi (shadow play): the initial Chinese conception about film by Jubin Hu. Abstract (Uploaded 1 November 20)

Close encounters of the generic kind: a case study in Thai sci-fi by Adam Knee. Abstract (Uploaded 1 November 20)

Hong Kong cinema in the 1930s: docility, social hygiene, pleasure-seeking & the consolidation of the film industry by Linda Lai. Abstract (Uploaded 1 November 20)

Animation in Asia: appropriation, reinterpretation, and adoption or adaptation by John A. Lent. Abstract (Uploaded 1 November 20)

National cinema and the beginning of film history in/of Bangladesh by Zakir Raju. Abstract (Uploaded 1 November 20)

Reviews

Chris Berry reviews Jerome Silbergeld, China into film:frames of reference in contemporary Chinese cinema. (Uploaded 1 November 2000)

Jodi Brooks reviews Jonathan Crary, Suspensions of perception: attention, spectacle, and modern culture. (Uploaded 1 November 2000)

Gene Brown reviews Louis and Alan Gordon, American Chronicle: year by year through the twentieth century. (Uploaded 1 November 2000)

Paul Coughlin reviews Christopher Frayling, Sergio Leone: something to do with death. (Uploaded 1 November 2000)

Colin Crisp reviews Naomi Greene, Landscapes of loss: the national past in postwar French Cinema. (Uploaded 1 November 2000)

Leanne Downing reviews Gaye Poole, Reel meals, set meals: food in film and theatre. (Uploaded 1 November 2000)

Helen Grace reviews David MacDougall, Transcultural cinema. (Uploaded 1 November 2000)

Tim Groves reviews Katherine A. Fowkes, Giving up the ghost: spirits, ghosts, and angels in mainstream comedy films. (Uploaded 1 November 2000)

Lisa Gye reviews Peter Lunenfeld, Snap to grid: a user's guide to digital arts, media and culture. (Uploaded 1 November 2000)

Wendy Haslem reviews Mark A. Vieira, Sin in soft focus pre-code Hollywood. (Uploaded 1 November 2000)

Eleanor Hogan reviews Harriet Margolis (ed.), Jane Campion's The piano. (Uploaded 1 November 2000)

Jan-Christopher Horak reviews Klaus Kreimeier, The Ufa story. a history of Germany's greatest film company, 1918-1945. (Uploaded 1 November 2000)

Adam Knee reviews Martin Rubin, Thrillers and Jonathan Munby, Public enemies, public heroes: screening the gangster from Little Caesar to Touch of evil (Uploaded 1 November 2000)

Arthur Lindley reviews Donald Richie, The Films of Akira Kurosawa. (Uploaded 1 November 2000)

Harriet Margolis reviews Tania Modleski, Old wives' tales: feminist re-visions of film and other fictions. (Uploaded 1 November 2000)

Harriet Margolis reviews Pam Cook and Mieke Bernink (eds.), The cinema book. (Uploaded 1 November 2000)

Margaret Nixon reviews John Ellis, Seeing things: television in the age of uncertainty. (Uploaded 1 November 2000)

Jane Roscoe, reviews Barry Keith Grant and Jeannette Sloniowski (eds), Documenting the documentary: close readings of documentary film and video. (Uploaded 1 November 2000)

Jeff Smith, reviews Philip Brophy (ed.), Cinesonic: cinema and the sound of music. (Uploaded 1 November 2000)

Brian Yecies reviews Cynthia Erb, Tracking King Kong: a Hollywood icon in world culture. (Uploaded 1 November 2000)

Trailers: including forthcoming events, calls for papers for conferences and journals, notices and new titles.

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