Screening the past - Current contents

C U R R E N T C O N T E N T S
Peer reviewed articles, published here for the first time

Issue 12 - Uploaded 1 March 2001 - [11] [10] [9] [Archive]

First release

Sign your name across my heart, or:"I want to write about Delbert Mann" (editorial) by Adrian Martin (Uploaded 1 March 2001)

Rules of engagement

Auteur desire by Dana Polan. Abstract (Uploaded 1 March 2001)

Reading, culture, and auteurs by Tag Gallagher. Abstract (Uploaded 1 March 2001)

Latitudes of interpretation

Lois Weber, or the exigency of writing by William D. Routt.Abstract (Uploaded 1 March 2001)

Will and wilfulness: recent commentary on Hitchcock's The birds by Ken Mogg. Abstract (Uploaded 1 March 2001)

The Un/forgiven Director by Tim Groves. Abstract (Uploaded 1 March 2001)

Collaboration, influence and complexity

Zarathustra's gift in Tarkovsky's The sacrifice by Gino Moliterno. Abstract (Uploaded 1 March 2001)

Fassbinder, and Fassbinder/Peer Raben by Roger Hillman. Abstract (Uploaded 1 March 2001)

Worlds viewed and heard

A pleasure to watch: Jane Campion's narrative cinema by Sue Gillet. Abstract (Uploaded 1 March 2001)

All lost in wonder: Edgar G.Ulmer by Tag Gallagher. Abstract (Uploaded 1 March 2001)

James Toback and The pick-up artist by Brad Stevens. Abstract (Uploaded 1 March 2001)

The sound of knocking: Jacques Becker's Le trou by Jodi Brooks. Abstract (Uploaded 1 March 2001)

Classics

Tarkovsky, or the burning house by Petr Král. Translated by Kevin Windle (Uploaded 1 March 2001) Luminous blows and unforeseen encounters: an introduction to Petr Král by Adrian Martin (Uploaded 1 March 2001)

Germaine Dulac and newsreel: 3 articles by Germaine Dulac. (Uploaded 1 March 2001) Introduction by Siân Reynolds. (Uploaded 1 March 2001)

Reviews

Roger Bell reviews Robert Burgoyne, Film nation: Hollywood looks at U.S history. (Uploaded 1 March 2001)

Mervyn F. Bendle reviews R.L.Rutsky, High technê: art and technology from the machine aesthetic to the posthuman (Uploaded 1 March 2001)

Ina Bertrand reviews Michael Putnam, Silent screens: the decline and transformation of the American movie theater (Uploaded 1 March 2001), and Annette Kuhn & Jackie Stacey (eds), Screen histories: a Screen reader (Uploaded 1 March 2001)

David Boyd reviews John Belton (ed.), Alfred Hitchcock's Rear window, Lloyd Michaels (ed.), Ingmar Bergman's Persona and Nick Browne (ed.), Francis Ford Coppola's Godfather trilogy. (Uploaded 1 March 2001)

Colin Crisp reviews Lucy Mazdon, Encore Hollywood: remaking French cinema. (Uploaded 1 March 2001)

Anna Dzenis reviews Kent Jones, L'Argent. (Uploaded 1 March 2001)

From 'social practice' to post-independence: remembering the worlds of independent film by Sylvia Harvey , a review of Margaret Dickinson's, Rogue reels: oppositional film in Britain, 1945-90. (Uploaded 1 March 2001)

Gabrielle Murray reviews Lester D. Friedman. (ed),. Arthur Penn's Bonnie and Clyde. (Uploaded 1 March 2001)

Michael Powell reviews Pauline B. Rogers, The art of visual effects: interviews on the tools of the trade. (Uploaded 1 March 2001)

The spoor of the Woozle by William D. Routt, a review of Richard Abel's, The red rooster scare: making cinema American, 1900-1910. (Uploaded 1 March 2001)

Meredith Seaman reviews Diane Waldman and Janet Walker (eds.), Feminism and documentary. (Uploaded 1 March 2001)

Ben Taylor reviews David Sutton, A chorus of raspberries: British film comedy 1929-1939. (Uploaded 1 March 2001)

Trailers: including forthcoming events, calls for papers for conferences and journals, notices and new titles.

| Home | First release | Classics & re-runs | Reviews | Trailers | Cast & credits | Search | Friends of Screening the past