Screening the past Issue 9 - Current contents

C U R R E N T C O N T E N T S
Articles appearing in the current issue

Issue 9 - Uploaded 1 March 2000 - [Current issue] [Archive]

First release

Editorial

On Giovanna d'Arco al rogo (1955) by Tag Gallagher. (Uploaded 1 March 2000)

Hegel's grave by Helen Grace. Abstract (Uploaded 1 March 2000)

How to tell the difference between a stereotype and a positive image Putting Priscilla, queen of the desert into history by Alan McKee. Abstract (Uploaded 1 March 2000)

Rhetorical "Rivers of Blood:" mediated interpretive controversy and The trial of Enoch Powell by Kendall R. Phillips. Abstract (Uploaded 1 March 2000)

Seasick on the Serpentine: Englishness, otherness and consensus in Passport to Pimlico by John West. Abstract (Uploaded 1 March 2000)

Reviews

Review article, A parallel universe? Hollywood in the "Pre-code era" a review of Thomas Doherty, Pre-Code Hollywood: sex, immorality, and insurrection in American cinema 1930-1934. by Geoff Mayer(Uploaded 1 March 2000)

Review article, For criticism part one and part two, a review of Nicole Brenez, De la figure en général et du corps en particulier: l'invention figurative au cinéma by William D. Routt (Uploaded 1 March 2000)

Review article, Always a window: Tag Gallagher's Rossellini, a review of Tag Gallagher'sThe adventures of Roberto Rossellini by Adrian Martin (Uploaded 1 March 2000)

Mervyn F. Bendle reviews James B. Twitchell, Lead us into temptation: the triumph of American materialism.(Uploaded 1 March 2000)

Chris Berry reviews Michael J. Shapiro, Cinematic political thought: narrating race, nation and gender. (Uploaded 1 March 2000)

Chris Berry reviews Stuart Cunningham and John Sinclair (eds), Floating lives: the media and Asian diasporas. (Uploaded 1 March 2000)

Ina Bertrand reviews Philip Turner, Moskva Kino: the cinemas of southwest and central Moscow ,Warner cinemas: an outline history , MGM cinemas: an outline history , Showcase cinemas: an outline history (Uploaded 1 March 2000)

John Conomos reviews Philip Brophy (ed.), Cinesonic: the world of sound in film (Uploaded 1 March 2000)

Millissa Deitz reviews Judith Halberstam, Female masculinity (Uploaded 1 March 2000)

Sam Hinton reviews Sarah Kember, Virtual anxiety: photography, new technologies and subjectivity (Uploaded 1 March 2000)

Adam Knee reviews Andrew Higson & Richard Maltby, "Film Europe" and " Film America": cinema, commerce and cultural exchange, 1920-1939 (Uploaded 1 March 2000)

Jane Landman reviews Julie James Bailey, Reel women: working in film and television. (Uploaded 1 March 2000)

Harriet Margolis reviews Sue Thornham (ed), Feminist film theory: a reader. and Sue Thornham, Passionate detachments: an introduction to feminist film theory. (Uploaded 1 March 2000)

Kevin Murray reviews Peter Lunenfeld (ed.), The digital dialectic: new essays on new media. (Uploaded 1 March 2000)

Guillaume Ollendorff reviews Chris Marker, Immemory. Translated from French by the Guillaume Ollendorff and Adrian Martin (Uploaded 1 March 2000)

Kristine Philipp reviews Joshua Gamson, Freaks talk back. Tabloid talk shows and sexual nonconformity. (Uploaded 1 March 2000)

Simon Popple reviews John Barnes, The beginnings of the cinema in England, 1894-1901 volume 5: 1900 (Uploaded 1 March 2000)

Sam Rohdie reviews John Roberts, The art of interruption: realism, photography and the everyday (Uploaded 1 March 2000)

Darren Tofts reviews William J. Mitchell, e-topia: "Urban life, Jim - but not as we know it" (Uploaded 1 March 2000)

Sue Turnbull reviews Ellen Seiter, Television and new media audiences. (Uploaded 1 March 2000)

Ruth Vasey reviews Chris Watson and Roy Shuker, In the public good? Censorship in New Zealand (Uploaded 1 March 2000)

Terrie Waddell reviews Catharine Lumby, Gotcha: life in a tabloid world. (Uploaded 1 March 2000)

Peter B. White reviews William H. Dutton, Society on the line: information politics in the digital age (Uploaded 1 March 2000)

Trailers: including forthcoming events, calls for papers for conferences and journals, notices and new titles.

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