Issue 67

October 2015

Contents

Not Just 'Evocative': The Function of Music in Theatre by Kim Baston

Music, Silence and the Single Note in the Creation of Meaning in Theatre by Bagryana Popov

The Theatre of Dreams: Hypnotism and the Science of Historical Action by Andrew Lawrence-King

Music and Sound Design: A Round Table Discussion with Anna Liebzeit, Kelly Ryall and Ian Moorhead with Kim Baston

Jethro Woodward in Interview with Kim Baston

Sound (Image, Text): Audiovisual Relationships in M+M with Daniel Schlusser, Darrin Verhagen and James Paul.

David N. Martin and the Post-War 'Acts and Actors' of Australian Variety by Veronica Kelly

Reading and Performing Abjection: Staging Joyce, a Professional Reflection by Frances Devlin-Glass

Reviews

NICOLA HYLAND, Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania, by Diana Looser; MARGARET HAMILTON, The Politics of Interweaving Performance Cultures: Beyond Postcolonialism, edited by Erika Fischer-Lichte, Torsten Jost and Saskya Iris Jain; PRATEEK, Bertolt Brecht: A Literary Life, by Stephen Parker; SHARON MAZER, The Routledge Companion to Puppetry and Material Performance, edited by Dassia N. Posner, Claudia Orenstein and John Bell; ANNA KAMARALLI, Women on the Early Modern Stage, edited by Frances E. Dolan, Lucy Munro, Brian Gibbons and Arthur F. Kinney; CATHERINE FARGHER, The Curious Incident of the Dog in the Night-Time, by Simon Stephens; MERRILEE MOSS, Engine by Janis Balodis and House on Fire, by Debra Oswald