Issue 58

Australasian Drama Studies

Issue 58, April 2011


Contents

Editorial Note
MILNE, GEOFFREY

Articles

Cultural Stock-taking: An Account of the Future
POTTS, MARION

Flesh or Bones?: Qualitative and Quantitative Descriptions of Theatre Practice
MEYRICK, JULIAN

The Myth of the Mysteriousness of the Creative Process
FORGASZ, RACHEL

The Ethics of Writing Performance from the Archive: The Case of Georgiana Molloy
CAMPBELL, ANGELA

The Sydney Trinity: Performance Space and the Creation of a 'Matrix of Sensibility'
MCAULEY, GAY

Continuing Threads of Modernist Minimalism in the Contemporary Practice and Discourse of Australian Scenographers
HECKENBERG, MIRANDA

Australia's Svengali: Gaston Mervale in Theatre and Film
KELLY, VERONICA

Imbricated Identity and the Theatre Star in Early Twentieth-century Australia
LIPTON, MARTINA

The Recent Political Drama of Dean Parker
MCNAUGHTON, HOWARD

A Bit of Water and Elbow Grease: Cleaning as a Motif in New Zealand Drama
WARRINGTON, LISA

Slow Dramaturgy: Renegotiating Politics and Staging the Everyday
ECKERSALL, PETER; PATERSON, EDDIE

Postfeminist Pleasure and Politics: Moira Finucane and 'The Burlesque Hour'
BOUCHER, GEORGIE; FRENCH, SARAH

New and Liquid Modernities in the Regions of Australia: Reading Ngurrumilmarrmiriyu [Wrong Skin]
VARNEY, DENISE

Challenging Theatre's Hidden Hierarchies: A Comparison of Christoph Schlingensief and Augusto Boal
SCHEER, ANNA TERESA

Reviews

Theatre and Interculturalism [Book Review]
D'CRUZ, GLENN

Victorian Pantomime: A Collection of Critical Essays [Book Review]
EMELJANOW, VICTOR

Moving across Disciplines: Dance in the Twenty-first Century [Book Review]
GARDNER, SALLY

La Boite: The Story of an Australian Theatre Company [Book Review]
MAXWELL, IAN

Kikia te Poa ; Bloomsbury Women and the Wild Colonial Girl [Book Review]
O'DONNELL, DAVID