Issue 56

Australasian Drama Studies

Volume 56 April 2010

 

Contents

FIONA WINNING
Rex Cramphorn Memorial Lecture: Creativity and Flexibility: The Nexus between Infrastructure Space and Art

DAWN ALBINGER
Resisting Romantic Love: Transforming the Wound of Amputation into a Caress

Recent performance in Australia

HELEN GREHAN
Aboriginal Performance: Politics, Empathy and the Question of Reciprocity

ANGELA CAMPBELL
Yandy: Walking the Uneven Lie of a Mining Boom

PETA TAIT
Human Rights, Humanness and the Animalness in Antigone: Empathetic Emotions and Company B's Production

WILLIAM PETERSON
The Fashioning of a Melbourne Event: The Melbourne International Arts Festival 2002-2009

The Lost Echo

ELIZABETH HALE
The Lost Echo: Introduction

ADRIAN KIERNANDER
Abjected Arcadias: Images of Classical Greece and Rome in Barrie Kosky's Oedipus, The Lost Echo and The Women of Troy

ELIZABETH HALE
The Pursuit of Youth: Adolescence, Seduction and the Pastoral in Act One of The Lost Echo

JOHN McCallum and TOM HILLARD
Shocking Audiences Modern and Ancient

Music an Performance

KIM BASTON
Jacques Brel and Circus Performance: The Compiled Score as Discourse in The Spaces Between by Circa

CAT HOPE
Vibrating Performance: Experiencing Music through Vibration in the Work of Abe Sada

Some Historical interests

YANA TAYLOR
Slow Dance or Fast Sculpture: Suzuki Training in Sydney's Contemporary Performance

JASNA NOVAKOVIC
Dorothy Hewett's Sacred Place

STEPHEN VAGG
Alec Coppel: Australian Playwright and Survivor

Reviews

VICTOR EMELJANOW, Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s, edited by Robert Dixon and Veronica Kelly;

MAY-BRIT AKERHOLT, Belonging: Australian Playwriting in the 20th Century, by John McCallum;

GILLIAN ARRIGHI, To Watch Theatre: Essays on Genre and Corporeality, by Rachel Fensham;

BREE HADLEY, Independent Brisbane: Four Plays;

MAGGI PHILLIPS, Victor Turner and Contemporary Cultural Performance, edited by Graham St John;

JONATHAN MARSHALL, Performing Femininity: Dance and Literature in German Modernism, by Alexander Kolb;

ADAM BROINOWSKI, Contemporary African American Women Playwrights: A Casebook, edited by Philip C.Kolin;

GRETA BOND, Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies, edited by Shannon Rose Riley and Lynette Hunter.