Issue 25


Australasian Drama Studies

Theatre in Southeast Asia

Number 25 October 1994

 

Contents

JACQUELINE LO

Introduction

RON VERBURGT

‘I am because You are: You are because I am’: an interview with Rendra

BARBARA HATLEY

Stage texts and life texts: women in contemporary Indonesian theatre

JANET PILLAI & CHARLENE REJENDRAN

Teater Muda – an integrated arts approach towards devising plays with young people

ROBERT YEO

Theatre and censorship in Singapore

WILLIAM PETERSON

Sexual minorities on the Singapore stage

Playscript: Three Years in the Life and Death of Land by The Necessary Stage

Playscript: Boss by Peter Wijaya

DOREEN G. FERNANDEZ

The past is present: the development of modern Philippine theatre

MERLINDA BOBIS

Re-inventing the epic: notes on adapting a traditional genre

PAUL DOWSEY-MAGOG

Demons with mobile phones: evolutionary discourse in Thai shadow pupperty

HOANG SU

The past and the present of Vietnamese theatre

NOELLE JANACZEWSKA

They’re dancing the Lambada in Hanoi

PETER COPEMAN

The Hearts and Minds project: towards an Austral/Asian theatre

HELEN GILBERT

Occidental sex tourists: Michael Gurr’s Sex Diary of the Infidel