Issue 14

Australasian Drama Studies

Number 14 October 1989


Contents

DAVID WATT

The Trade Union movement, Art & Working Life and Melbourne Workers’ Theatre

CARL CAULFIELD

‘What the bomb does to our minds: Sewell’s Welcome The Bright World and Brenton’s The Genius

INTERVIEW

STEPHEN SEWELL talks to Mary Ann Hunter

MARY ANN HUNTER

CASEBOOK: Sewell’s Miranda

SCRIPT

A Touchy Subject by Darrelyn Gunzburg, Ollie Black & Margaret Fischer

MARYANNE DEVER

Billy Barlow by C.A.Dibdin

TOM BURVILL

Report: The Havana Forum for Cultural Identity and Development

KAREN SHERRY

Locally written plays in Auckland 1870-71

RICHARD WATERHOUSE

Blackface and the beginnings of bifurcation: The minstrel show and the emergence of an Australian popular stage