PhD (City University, London); FRHistS
Membership of professional associations
Australian Historical Association; Royal Historical Society, UK (Fellow, elected 2010); American Historical Association; American Association for the History of Medicine
Area of study
Ingrid Sykes is a cultural historian of modern France and has been a member of the history program at La Trobe since 2011. She has published widely in the areas of the French history of science, technology and medicine with a particular interest in French cultures of sound. She completed a Wellcome Trust Research Fellowship at the Centre for the History of Medicine, University of Warwick, UK and was a member of the research team, Histoire de l’Invention et des Savoirs Techniques, Centre d’Histoire des Techniques (CDHTE), Conservatoire des Arts et Métiers, Paris, France. Her 2013 Australian Research Council (ARC) Future Fellowship project, “Microbial Visions: French Colonial Biomedicine in Twentieth-Century New Caledonia” will record the first comprehensive history of colonial biomedicine and public health in the French territory of New Caledonia.
European History- Please contact me to discuss a topic.
French Language- Please contact me to discuss a topic.
Government and Politics of Asia and the Pacific- Please contact me to discuss a topic.
- HIS3MHI: Making History
- HIS2NCA: Nationalism and Capitalism
- HIS2MPH: Modern History of Medicine and Public Health
- Honours special subject: History and the Human Condition
European History (Modern); History of Science, Technology and Medicine (Global)
- Society, Culture and the Auditory Imagination: The Humanity of Hearing, (Hampshire, UK: Palgrave Macmillan, 2014, in press)
- Women, Sound and Science in Nineteenth-Century France, Series: Interdisciplinary Studies in Music (Frankfurt: Peter Lang, 2007)
- A Twentieth-Century History of Biomedicine in the French Colonies, in progress.
Journal Articles and Chapters in Edited Volumes
- “The Politics of Sound: Music and Blindness in Eighteenth-Century France, “ The Oxford Handbook of Music and Disability Studies, edited by Blake Howe, Stephanie Jensen-Mouton, Neil Learner and Joseph Straus (Oxford University Press, 2014, in press). (Talk: https://itunes.apple.com/itunes-u/history/id394588407)
- “Le corps sonore: Music and the Auditory Body in France 1780-1830,” Music and the Nerves, edited by James Kennaway (Hampshire, UK: Palgrave Macmillan, 2014, in press)
- “The Art of Listening: Perceiving Pulse in Eighteenth-Century France,” The Five Senses in the Enlightenment, Journal for Eighteenth-Century Studies, special issue, edited by Jonathan Reinarz and Leonard Schwarz, in press, Vol. 35, No. 4 (Dec. 2012): 473-488.
- “Sounding the Citizen Patient: The Politics of Voice in Post-Revolutionary France,” Medical History (2011) 55: 479-502.
- “Hearing Science in Eighteenth-Century Britain and France,” co-authored Penelope Gouk (University of Manchester), Journal of the History of Medicine and Allied Sciences 2010; doi 10.1093/jhmas/jrq045.
- “Gender and Musical Performance in mid nineteenth-century France: the case of Juliette Godillon,” French History 2010; doi: 10.1093/fh/crq056.
- “Sonorous Mechanics: the Culture of Sonority in the Nineteenth-Century French Institution,” Nineteenth-Century Music Review 1, Issue 1 (August 2004): 43-66.
- “Les produits de l’acoustique: Brevets d’invention de musique 1800-1830,” Les archives de l’invention, Ecrits, objets et images de l’activité inventive, edited by Mary-Sophie Corcy, Christiane Douyère-Demeulenaere, Liliane Hilaire-Pérez (Toulouse: CNRS, Université de Toulouse-Le Mirail, 2006), 499-510.
- “Music and the Commodification of Sound: Advertising Acoustics in France 1800-1830,” Retailers and Consumer Changes in Early Modern Europe: England, France, Italy and the Low Countries, edited by Bruno Blondé, Eugénie Briot, Natacha Coquery and Laura Van Aert (Tours, France: Presses Universitaires François-Rabelais, 2005), 125-138.
- “The Globalization of French Sound: French Convents in Australia,” French History and Civilization: Papers from the George Rudé Seminar 1, edited by Ian Coller, Helen Davies and Julie Kalman (Melbourne, Australia: The University of Melbourne, 2005): 97-103 peer-reviewed.
- “Juliette Godillon,” http://www.sophie-drinker-institut.de/cms/index.php
Recent Book Reviews
- Social History of Medicine, Music and Letters, Nineteenth-Century Music Review
2013/14, La Trobe University, Understanding Disease Research Focus Area Small Grant for ‘State, Stigma, Society: Rethinking Disease in a Global Age,’ Principal Investigator. (Co-Investigators: Dr Michael O’Keefe, Politics and Dr Tarryn Phillips, Legal Studies).
2012, Visiting Fellow, Australian National University, Canberra, Humanities Research Centre. Project Theme: Ecological Enlightenment
2009, “Signalling Sound,” Convened International Symposium on Auditory Neuroscience, Technology and History, Arden Conference Centre, University of Warwick, supported by the Wellcome Trust.