Theatre and Drama Program
Australasian Drama Studies
Australasian Drama Studies
Volume 50 April 2007
Contents:
DANIEL KEENE
A Theatre of difference
Pioneering endeavours
STEPHEN VAGG
Finch, Fry and Factories: A Brief History of Mercury Theatre
ROSEMARY FARRELL
Chinese Acrobatics Unmasked in Australian Circus in the Nineteenth Century
Theatre in the 1970's
RICHARD FOTHERINGHAM and ROB PENSALFINI
Anti-colonial Voices? Non British Accents and the National Authentication of Shakespeare in Australia in the 1970's
MEREDITH ROGERS
Dramaturgy as Political desire: Making a Deomocratic Space - the Orestes Trilogy (Melbourne, Australia, 1974)
Laura Ginters
Interview: Lindy Davies: A Path to a Process
Theatre, politics and social landscapes
MURRAY EDMOND
Te Kaainga/Where the Fire Burns - Hone Kouka's Trilogy: Waiora, Homefires and The Prophet
BREE HADLEY
Dis/identification in Contemporary Physical Performance: NYID's Scene of the Beginning from the end
CELINA MCEWEN
An Empowering Practice?: Urban Theatre Projects' Recent Work in Residence, Community Cultural Development and International Arts Festivals
PAUL DWYER
Still Rehearsing the Revolution? 'Theatre of the Oppressed', State Subsidy and Drug War politics
MICHAEL ANDERSON and LINDEN WILKINSON
A Resurgence of Verbatim Theatre; Authenticity, Empathy and Transformation
Observations and Investigations
MARK SETON
Recognising and Misrecognising the 'X' Factor: The Audition Selection Process in Actor-training Institutions Revisited
REBECCA SCOLLEN
On the Record: An Account of Regional Non-Theatregoers' Responses to a Selection of Plays Toured to Northern Australia in 2004-05
Reviews:
VERONICA KELLY, Australian Plays for the Colonial Stage 1834-1899, ed, Richard Fotheringham; GLENN D'CRUZ, Contemporary Australian Drama by Leonard Radic; JERRY C. JAFFE, Theorizing the Angura Space: Avant-garde Performance and Politics in Japan, by Peter Eckersall; HILARY HALBA, Plays 1: Small Towns and Sea. Horseplay, Flipside, Trick of the Light by Ken Duncum; DAVID O'DONNELL, Downstage Upfront: The First 40 Years of New Zealand's Longest-Running Professional Theatre by John Smythe; BEN HOURIGAN Shakespeare in the Worlds of Communism and Socialism, eds, Irena R. Makaryk and Joseph G. Price; SERGE TAMPALINI, Tatsumi Hijikata and Kazuo Ohno by Sandra Fraleigh and Tamah Nakamura; ANDREW FILMER, Ethno-techno: Writing on Performance, Activism, and Pedagogy by Guillermo Gomez-Pena.
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